Bach Bibliography Search Result - Ordered Chronologically

Author : Newman, William S.
Show full details : ON

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Newman, William S.:   The Instrumental Background of the Early Baroque Sonata. BulAMSoc 9-10 (Jun 1947), 6-8. Abstract of Paper Read before Greater New York Chapter on October 29th, 1943.
	2.	Newman, William S.:   The Keyboard Sonatas of Bach's Sons. ProceedMTeachersNationAssoc (1951) Pittsburgh, Pa., 1951
	3.	Newman, William S.:   Further on the Hughes Edition of Bach. AmerMTeacher 4/5 (May-Jun 1955), 4, 19. [discusses Edwin Hughes' edition of Bach's Well-Tempered Clavier, incl. Hughes' editorial handling of the ornaments]
	4.	Newman, William S.:   Styles and touches in Bach's keyboard music. Chicago: Summy Publ. 1956, 11p. (= Summy Piano teaching pamphlet, 8)
	5.	Newman, William S.:   Some Familiar Questions of Performance Practices in Bach's Keyboard Music. JAMSoc 9/1 (Spring 1956), 59-60. [Abstract] Read in Chapel Hill, N. C., on December 7, 1955, at a meeting of the Southeastern Chapter.
	6.	Newman, William S.:   The Sonata in the Baroque Era. Chapel Hill, North Carolina Univ. Press; Oxford Univ. Press, 1959. xvii, 447p. - New York: Norton, 4/1983.
	7.	Newman, William S.:   The Bach trill, once more yet again still. PianoTeacher 4/6 (1962), 20-21.
	8.	Newman, William S.:   Emanuel Bach's Autobiography. MQ 51/2 (Apr 1965), 363-372.
	9.	Newman, William S.:   Is there a rationale for the articulation of J. S. Bach's string and wind music? [gs]Haydon (1969), 229-244.
	10.	Newman, William S.:   Three musical intimates of Mendelssohn and Schumann in Leipzig: Hauptmann, Moscheles, and David. [ce]MendelssohnSchumann (1984), 87-98.